More about 
LensVIEWTM is a CD-ROM database of lens design examples
which is dedicated to making lens design data more accessible to the optical
designer or engineer. LensVIEW currently has complete information on more
than 32,000 individual lens designs from the US
patent literature, the Japanese patent literature,
as well as The Zeiss Index of Photographic Lenses
and is updated yearly. LensVIEW design data can be searched using 57
different optical and bibliographic parameters. A special LensVIEW Classification
System having 110 different categories is also included to make searching
easier. Data for each design can be viewed in a series of user-selectable
windows. There are separate windows for navigation, bibliographic data,
complete inventor data, U.S. and international classification data, optical
data, optical prescription, LensVIEW classification, lens layout drawings,
and longitudinal aberration curves. LensVIEW includes translators to create
lens files which can be read by several different optical design programs,
including ACCOS,
CODEV,
OSLO,
SIGMA and ZEMAX
The 2003.1 release of LensVIEW is now shipping!
With the 2003 release, LensVIEW contains more than 32,000 optical
design examples (more than 64,000 individual zoom positions) which
is an increase of almost 2,000 designs from our last release. LensVIEW
now has a total of over 14,700 Japanese patent, 16,500 US patent and 1,000
Zeiss Index designs entered and catalogued for easy searching.
BACKGROUND
LensVIEW was inspired by book-based databases of lens designs and patent
information by van Monckhoven [1], Steinheil
and Voit [2], von Rohr [3], Conrady [4],
Merté
et al. [5], Merté [6],
Flügge
[7], Cox [8], Smith [9,
14],
Bird
[10], Kingslake [11], Rutten and van
Venrooij [12] and Laikin [13]. A primary virtue of
book-based databases is their user-friendliness. LensVIEW has been designed
to retain as much book-like user friendliness as possible while taking
advantage of the versatility and depth of coverage made possible by computer
technology.
DATA VALIDITY
There are several difficulties in transforming the raw optical data from
the literature into a form suitable for computer evaluation. The main difficulty
is that very few published designs include information about lens apertures
or vignetting. Every design in LensVIEW has been analyzed by raytracing,
and reasonable clear apertures have been calculated for every surface.
These
clear apertures are provided as a convenience for optical designers and
should not be viewed as authoritative.
Another difficulty is that many published designs omit the field of
view, and some omit the f-number. In these cases, reasonable values are
provided as a convenience. These values are based on ray tracing analysis
and on comparison with similar lenses for which field and/or aperture data
are provided. Many patent designs also omit the location of the aperture
stop. In most cases it is fairly easy to determine the appropriate air
space in which to locate the stop, but in some cases, such as telephoto
lenses and zoom lenses, a trial and error approach based on ray tracing
is required. In many cases the stop location is indicated by a drawing
but is not specified exactly in the prescription. All designs in LensVIEW
are assigned an exact stop position which is either given explicitly in
the patent example or is a reasonable value derived from a combination
of ray tracing analysis and common sense.
Still another difficulty is that there are often typographical errors
in the optical prescriptions found in the patent literature. Most of these
are sign errors or a misplaced decimal point. Fortunately, these types
of errors are easy to find and correct because they tend to have a major
impact on the focal length of the system. Incorrect digits have a varying
degree of impact on the performance of the design depending on where the
digit is located. A great deal of effort has been spent on correcting these
errors to make the designs in LensVIEW as useful as possible.
DATA SCALING
Optical designs come in a wide range of scales. Many designs (especially
those from patents) are scaled so that the focal length is 1, 10 or 100.
Many other designs are left in the scale intended for their application.
As a result, the range of focal lengths of patent designs varies by a factor
of about 1000. One of the purposes of LensVIEW is to enable lens designers
to quickly scan and compare a large number of designs. In order to simplify
this process as much as possible, all of the non-afocal designs in LensVIEW
are scaled so that the focal length is 100. Zoom lenses are scaled so that
the shortest focal length position has a focal length of 100. Thus a 10:1
zoom lens would be scaled so that its focal length varies from 100 to 1000.
Afocal systems cannot be conveniently scaled according to focal length,
but are instead scaled so that the exit pupil has a diameter of 10. In
order to compute aberration curves and other parameters which can be compared
with those computed for non-afocal systems, a paraxial lens having a focal
length of 100 is placed at the exit pupil of the scaled afocal systems
in LensVIEW. In a few cases there is a departure from afocality which is
pronounced enough to require a paraxial lens with a shorter focal length,
and in these cases a paraxial lens having a focal length of either 50,
25 or 10 is used as required.
DATA SOURCES
LensVIEW now contains data from a few different sources. The particulars
of those sources and a few words about how they are handled in LensVIEW
is included below:
1) U.S. Patents: U.S. Patent and Trademark
Office, Washington, DC 20231 USA, USPTO Phone: (800) PTO-9199, WebSite:
http://www.uspto.gov In order for a U.S. patent to be granted, the inventor
must state at least one claim as to how the patent differs from the ‘prior
art’. In order to defend this claim, optical design patents usually include
several lens design examples which illustrate the concept of the claim(s).
In rare cases, patents can contain more than 50 lens design examples. For
each patent included in LensVIEW, the optical prescription for every example
in that patent is also included. The user of LensVIEW is responsible for
determining if using a patent example will infringe on an active patent’s
claim(s).
2) Japanese Patents: Patent Information
Division, General Administration Department, Patent Office, 3-4-3, Kasumigaseki,
Chiyoda-ku, Tokyo 100, Japan. WebSite: http://www.jpo-miti.go.jp Please
note that bibliographic data for the Japanese patent lens designs included
in LensVIEW are currently limited to patent number and issue date, application
number and filing date, as well as the patent assignee. Future updates
to LensVIEW will increase this bibliographic information. However, Japanese
patent examples currently in LensVIEW contain complete optical prescriptions
and can be conveniently browsed and searched on over 30 optical parameters
and over 100 different LensVIEW classification categories. Additionally,
all Japanese lens designs are fully exportable to the standard optical
design file formats noted previously.
3) Zeiss Index: W.W. Merté, The
Zeiss Index of Photographic Lenses (Volume 1), September 1950, translated
from the German: April 1949. Originally published by THE CENTRAL AIR DOCUMENTS
OFFICE (Army-Navy-Air Force), Wright Patterson Air Force Base, Dayton,
OH (note: this office is now non-existent). A compilation of lens formulas
obtained from the Zeiss Works. In general, the list of objectives has been
arranged by types, such as Tessar, Cooke, Hektor, …etc. Each type of objective
is described by pertinent descriptive information, as well as assigned
EFL, FOV and F/# information from Merté. All this information taken
directly from the Zeiss Index is presented and can be searched on as BIBLIOGRAPHIC
DATA. OPTICAL DATA (EFL, EPD ..etc.) may not coincide exactly with Merté’s
chosen values due to the default LensVIEW scaling and other considerations
(see sections 2.1 and 2.2).
REFERENCES
1) Désiré van Monckhoven, Photographic
Optics; Including the Description of Lenses and Enlarging Apparatus,
translated from the original French by Robert Hardwicke, Piccadilly, London,
1867, reprinted by Arno Press, New York, NY, 1979.
This is one of the earliest references on photographic optics, and
it provides optical prescriptions and detailed drawings of several of the
more interesting designs in use during the mid-19th century, including
the original Petzval portrait lens, the Harrison Globe lens and the Dallmeyer
triplet. Also included is a fascinating section on solar enlargers. In
English, translated from French.
2) Adolph Steinheil and Ernest Voit, Handbuch der
Angewandten Optik, circa 1890, translated from the original German
and edited by James Weir French as Applied Optics: The Computation of
Optical Systems, (2 volumes), Blackie and Son Limited, London, 1918.
Handbuch der Angewandten Optik is primarily a manual of trigonometrical
ray tracing and aberration calculation, but volume 2 contains a chapter
which provides optical prescriptions for 45 different achromatic doublet
objectives corrected for spherical aberration. In English, translated from
German.
3) Moritz von Rohr, Theorie und Geschichte des Photographischen
Objektivs, Julius Springer, Berlin, 1899, reprinted by Arno Press,
New York, NY, 1979.
This outstanding book was published at the end of a very productive
decade of optical design, and it gives optical prescriptions and performance
data for 48 different classic objectives ranging from Wallaston’s meniscus
landscape lens to two different versions of the Cooke triplet to a very
modern looking double Gauss lens designed by Paul Rudolph. Unfortunately,
most of the prescriptions omit glass dispersion information, listing only
nD. In German.
4) A. E. Conrady, Applied Optics and Optical Design,
(2 parts), Part One published by Oxford University Press, London, 1929,
and republished by Dover, New York, NY, 1957; Part Two is a posthumous
publication edited and completed by Rudolf Kingslake and Fred H. Perrin,
published by Dover, New York, NY, 1960.
A great deal of Applied Optics and Optical Design is devoted
to ray tracing and aberration calculation, but there are also many detailed
design examples. Conrady emphasizes the design process, which is typically
discussed in great detail, rather than simply cataloging a number of well-corrected
optical designs. The designs covered include achromatic doublets, eyepieces,
several types of microscope objectives, and more than 15 different types
of photographic objectives. In English.
5) Willy Merté, Robert Richter, and Moritz von
Rohr, Das Photographische Objectiv, Julius Springer, Vienna,
1932.
Das Photographische Objectiv gives optical prescriptions and
performance data for 130 different lens designs found mainly in German,
European, and U.S. patents dating from the 1890’s through the 1920’s. In
German.
6) Willy Merté, The Zeiss Index of Photographic
Lenses, (2 volumes), published by the Central Air Documents Office,
Wright-Patterson Air Force Base, Dayton, OH, 1950.
The Zeiss Index is a unique and extremely interesting publication
of a card index of more than 1500 lens designs maintained by of the Carl
Zeiss Company from the turn of the century up to the end of World War II.
The Central Air Documents Office publication is a reproduction of photostatic
copies of the original handwritten cards, and many of these copies are
illegible. In addition, about 250 of the original cards were lost before
copies could be made. Despite this, more than 1000 designs are clear enough
to be of use to lens designers. Although some of the designs are derived
from patent data, most appear to be the actual designs used by Zeiss for
lens manufacture. The extensive table of contents is in English, and the
handwritten cards are in German.
7) Johannes Flügge, Das Photographische Objektiv,
Springer-Verlag, Vienna, 1955.
Das Photographische Objektiv is a general text on photographic
optics and optical aberrations which includes an appendix giving optical
prescriptions and third-order aberration coefficients for 36 different
lens designs ranging from 19th and early 20th century classics to the state-of-the-art
in the early 1950’s. Also included is an interesting chapter on lens testing.
In German.
8) Arthur Cox, A System of Optical Design; The Basics
of Image Assessment and of Design Techniques with a Survey of Current Lens
Types, Focal Press, London and New York, NY, 1964.
This well known reference contains a printed database of approximately
300 lens designs published in U.S. patents from 1935 through 1963. Each
design includes a lens layout, performance data, and an optical prescription.
Also included in addition to this database is a nearly complete listing
of all U.S. and British patents published during that same period which
have numerical lens design examples. In English.
9) Warren J. Smith, Modern Optical Engineering: The
Design of Optical Systems, McGraw-Hill, New York, NY, 1966.
Modern Optical Engineering is an excellent general text on optical
engineering and lens design, and it includes optical prescriptions and
performance data for more than a dozen specific designs. In English.
10) Thomas S. Bird, Geometrical Lens Designs in
the U.S. Patent Literature, published by Thomas S. Bird, Dallas,
TX, 1969.
This is a nearly complete list of all U.S. patents published between
1909 and 1970 which contain numerical lens design examples. The list is
sorted by patent number, first inventor, (Bird) Classification Code, total
system speed, field dimension, magnification, and zoom range. No lens drawings,
performance data, or prescriptions are provided, but the list is useful
in compiling a patent file. In English.
11) Rudolf Kingslake, Lens Design Fundamentals,
Academic Press, 1978.
Lens Design Fundamentals is a classic text on lens design in
the tradition of Conrady’s Applied Optics and Optical Design. As
in Conrady’s book, the emphasis is on the design process rather than the
end result. Several dozen designs are presented, including photographic
objectives, reflective systems, and eyepieces. In English.
12) Harrie Rutten and Martin van Venrooij, Telescope
Optics: Evaluation and Design, Willmann-Bell, Richmond, VA, 1988.
Telescope Optics gives optical prescriptions and performance
data for more than 80 telescope and eyepiece designs. Since this book is
intended primarily for amateur astronomers, all of the telescope designs
have been scaled to an entrance pupil diameter of 200mm. Performance data
is provided in the form of spot diagrams, which are quite effective in
providing a visual comparison of different design forms. In English.
13) Milton Laikin, Lens Design, Marcel Dekker,
Inc., New York, NY, 1991.
Lens Design gives optical prescriptions, lens layouts and MTF
data on more than 80 lens designs. Although patents and literature articles
are given as references, most of the lenses appear to be original designs
by Milton Laikin. This book is an excellent general text and reference
book for practicing lens designers. In English.
14) Warren J. Smith and Genesee Optics Software, Inc.,
Modern
Lens Design: A Resource Manual, McGraw Hill, Inc., New York, NY,
1992.
This recent book gives optical prescriptions and performance data for
nearly 300 designs from patents and other sources. In addition to the longitudinal
aberration plots which are also provided by von Rohr, Merté, and
Cox, this reference also includes transverse ray aberrations. Many of these
designs, such as microscope objectives, mirror systems, laser scanning
lenses, zoom lenses, and infrared lenses are for applications which were
ignored by the earlier references listed above, or else simply did not
exist. In addition to design data, Modern Lens Design has some very
good information on the subject of computer aided lens design. Like Laikin’s
Lens
Design, this is an excellent general text and reference book for practicing
lens designers. In English.